PS Picks: The Renaissance of Lisa Simpson

PS Picks is a selection of the best things that the magazine’s staff and contributors are reading, watching, or otherwise paying attention to in the worlds of art, politics, and culture.
Lisa Simpson and Bart Simpson cut-outs on display at a block party in Los Angeles, California.

This PS Pick originally appeared in The Lede, the weekly Pacific Standard email newsletter for premium members. The Lede gives premium members greater access to Pacific Standard stories, staff, and contributors in their inbox every week. While helping to support journalism in the public interest, members also receive a print magazine subscription, early access to feature stories, and access to an ad-free version of PSmag.com.

On February 22nd, Ted Cruz tried to lob bombs at the Democratic Party by declaring it “the party of Lisa Simpson”—whereas Republicans could claim the rest of the famous television family, i.e. Homer, Marge, Maggie, and Bart. Anchoring political debate in jabs at a cartoon eight-year-old seems misguided by default, and the Simpsons showrunner shot back at Cruz with distaste. But this grab for pop culture relevance—much like Cruz’s past attempts—backfired. Lisa Simpson is dope. She plays saxophone, regularly fights the Man, and has performed the choreography from Tina Turner’s “Proud Mary.” So instead of insulting his enemy party, Cruz just prompted a Lisa Renaissance: mocking rejoinders to his comment, Tweets from Democrats proud to rep Lisa, and a perfect build-up to Vanity Fair‘s great recent profile of Yeardley Smith, the woman who has voiced Lisa for 30 years. Her moment in the sun feels perfectly timed, with women like Emma González and Alicia Garza leading the way, just as Lisa would, on issues like gun control and racial justice. Cruz and the other haters: You’re losing this one, big time.

Related Posts

Prisons have no incentive to pay inmates better—to the contrary. Unlike workers in the free market, who (theoretically, anyway) can weigh factors like pay, working conditions, and other benefits when deciding where to work, inmates do not have a choice between employers. If they need the money, or the experience, they must take or leave what the prison is offering.

The Death Penalty in America: A Lethal History

In colonial Virginia, authorities could hang settlers for a crime as small as stealing grapes or killing a neighbor's chicken. The penal code in America's first colony was, in fact, so harsh its governor eventually reduced the number of capital offenses out of fear that settlers would refuse to live there. Since then, the number and severity of crimes punishable by death in the United States have fluctuated; today, the death penalty is still legal in 31 states. Here are some of the critical turning points in the history of capital punishment in America.
See More